Album Review: The Womack Sisters 

Living in the legacy of your family can sometimes be a curse, with the nepo baby insult now being thrown around at anyone even with even the remotest connection to their respective industry. For some people nepotism suggests a kind of intervention to elevate untalented people above their station, which in most instances is just not the case. I think it’s much more interesting to consider how younger generations are tackling the need to continue their family’s musical legacy. How do you honour the past and yet convey your own sense of self?  

The Womack Sisters have a lineage that lives and breathes soul music. Their parents are Womack & Womack, their uncle Bobby Womack and their grandfather is Sam Cooke. That’s a legacy to be proud of, not to hide behind – hence their group name shouts the connection proudly (as they should). The sisters are BG, Zeimani, and Kucha Womack, vocalists who started out as backing singers for their family before stepping into the spotlight. After the deaths of their father and uncle they had to regroup and find a new path forward in the music industry. 

Continue reading “Album Review: The Womack Sisters “ →

Songs of the Year 2025

This year I made a rolling playlist of my favourite songs on Apple Music which has been hugely helpful in keeping track of what I’ve enjoyed listening to. I’ve always kept a list of songs from albums I review on Spotify but that doesn’t catch every single. 

Another useful app for me is Last FM which I’ve been using since 2006 to count what I listen to. Sometimes the numbers are skewed because I have to listen to something more to review it, or just because a song came out at the beginning of the year but it still helps me to see what music I’ve gone back to. 

So using those metrics alongside my own gut instinct here are my top 20 favourite songs of the year sung by women. Apologies to the artists who I just haven’t had a chance to listen to this year. Share yours in the comments and let me know what I missed! 

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E.P. Review: Yola – My Way 

For many Yola’s unique selling point was that she was a black British artist who had vintage soul and country influences – she stood out in a good way, genre-fluid but gaining Americana awards and Grammy award nominations in the roots categories. There was an appetite to hear a powerful black female voice like hers sing the kind of soulful music that so many white men like Chris Stapleton etc were having success with.

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Album Review: Yola – Stand For Myself

In creating this second album Yola aimed to write classic pop songs that crossed genre, time, spaces, continents and palettes. Her excellent last album was mainly written collaboratively in the studio with producer Dan Auerbach bringing in different musicians to write with, a strategy which brought her much success in the Americana music world. Due to to the pandemic Stand For Myself began in isolation, allowing for Yola to write from a more personal perspective. Continue reading “Album Review: Yola – Stand For Myself” →

Remembering Mary Wilson and her ‘Supreme Glamour’

Founding member of the Supremes Mary Wilson has sadly died at the age of 76, leaving behind a lasting legacy in Motown and music history. While the famous story of the band’s unravelling pits Diana Ross against Florence Ballard, the narrative that is often overlooked is how Mary survived as a Supreme through the whole ordeal, continuing the band after Ballard was dismissed and Ross went stratospherically solo. Mary’s story is one of quiet endurance and commitment to performance and style – beautifully told in her recent book ‘Supreme Glamour’. Continue reading “Remembering Mary Wilson and her ‘Supreme Glamour’” →

Album Review: Kyshona – Listen

‘Why won’t you listen?’ asks Kyshona Armstrong on the title track of her powerful new album. She asks everyone the question, sounding weary at how society is to deaf to the needs of others. The album’s purpose was inspired partly by her background as a music therapist working with vulnerable people. Musically her mix of gospel, blues, soul and folk (let’s just call it Americana) fits perfectly with her message of inclusivity, empathy and acceptance. Continue reading “Album Review: Kyshona – Listen” →

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