a music blog
Lady Nade is currently on tour with fellow Bristolian Yola, impressing audiences with her evocative voice and mix of soul, jazz and folk. On her new album Safe Place she has blended these influences to produce an inviting and optimistic collection of songs. Continue reading “Album Review: Lady Nade – Safe Place”
There’s a delightfully delicious dark side to this new self-titled album from Steel Blossoms. Singers Hayley Prosser and Sara Zebley often have their tongue in their cheek, and they know that traditional country music is the perfect place to really put such dry humour to good use. By not taking themselves too seriously the duo have made one of the most entertaining albums of the year. Continue reading “Album Review: Steel Blossoms”
Rhiannon Giddens collects songs, instruments and stories from all through history and synthesises them perfectly with her modern musical purpose. She believes in teaching us the failings of the past, to better understand our present. On her new album she has paired up with Italian virtuoso musician Francesco Turrisi, someone who shares her connection with folk music history, with his expertise in Islamic, Mediterranean and eastern styles. By pairing together on this album ‘there is no Other‘ (capitalisation deliberate) they want to show that no matter where we come from we are all one voice, one history, one future.
Continue reading “Album Review: Rhiannon Giddens with Francesco Turrisi – there is no Other”
After the dramatic dissolution of her band The Civil Wars, Joy Williams seemed like an artist searching for herself. Before those fractious and fiery albums of absorbing Americana she had been a contemporary gospel singer, offering polite pop prayers. To many fans unfamiliar with her earlier work, her 2015 solo synth pop album ‘Venus’ sounded not just a like an evolution of her sound but an entirely different artist. So this new album ‘Front Porch’ is a welcome reset of her musical style and a quiet return to form. Continue reading “Album Review: Joy Williams – Front Porch”
When I started this blog in 2017 my aim was just to share music I loved with anyone that cared to listen but another, equally important purpose was to discover new artists for myself too. One such gem is Caroline Spence, who came to my attention through a recommendation from one of my Twitter followers. I listened to her album ‘Spades and Roses’ and loved it immediately, especially ‘Softball’ which is fast becoming something of a feminist Americana anthem. So please allow me to pay the recommendation forward by telling you that Caroline’s new album ‘Mint Condition’, is one of the best releases of the year so far.
Continue reading “Album Review: Caroline Spence – Mint Condition”
Shovels & Rope launched their new album By Blood during the week of their triumphant High Water Festival homecoming. The band have recently had a second child so it’s no surprise really that at times on this album they sound run ragged, desperate and depressed, other times as exhilarated and euphoric as they ever have. The musical chemistry between Cary Ann Hearst and Michael Trent appears closer than ever – bonded by their family and the blood of these songs that pulsate through their veins. Continue reading “Album Review: Shovels & Rope – By Blood”
Talented guitarist Molly Tuttle wowed audiences at the Transatlantic Sessions earlier this year and has already won many awards for her inventive playing style and talent, including International Bluegrass Music Association’s Guitar Player of the Year twice. Her debut album When You’re Ready showcases her excellent songwriting and vocals skills too, conveying an airy breeziness that is perfect for Spring. Continue reading “Album Review: Molly Tuttle – When You’re Ready”
Credit must go to Reba McEntire for making a concerted choice to record a classic country album, working with a range of songwriters to make music that appeals to her already established audience. She makes no play for younger fans or the radio or even rootsy Americana fans either. Stronger Than The Truth sticks close to the slick, polished brand of country that made her name and the result is something listenable, credible and really damn enjoyable. Continue reading “Album Review: Reba McEntire – Stronger Than The Truth”
In a recent revelatory interview Lucy Rose painfully recounted her experience of touring as an opening act. Her quiet and sad songs were routinely talked over every night, she was even booed when she introduced one as ‘feminist’. Feeling utterly miserable she decided to quit after a week. Life as a support act wasn’t worth the money if it destroyed your soul. She concluded she would rather play to 20 people who cared than 1000 who didn’t.
There’s such bravery in that decision which you can only applaud. I mean it would be great if talented people like Lucy were the headliners of big tours where everyone shut up and listened to the songs but that is unfortunately just dreamland. Artists have to work hard to seek out their audiences and for women in folk/indie music these are usually small, niche crowds.
Lucy’s last album ‘Something’s Changing’ was the first she had released away from a major label and it was the start of her real blossoming as an artist. It was a good album but there were moments where it felt like she was searching for her true self and sound. On her new album No Words Left she has turned inwards and the results are the strongest, and starkest, songs of her career. Continue reading “Album Review: Lucy Rose – No Words Left”
Highway Queens 