Dolly Parton’s Discography – Those Were the Days (2005)

Released a couple of years after the abomination that is ‘For God and Country’ this was Dolly back on safer territory, with a cover album of country and pop songs from the 60s and 70s. The musical style was back to the bluegrass sound which had been so successful and features many guest artists including Norah Jones, Lee Ann Womack, Kris Kristofferson, Alison Krauss, and even the return of her old friend Mr Porter Wagoner.

Continue reading “Dolly Parton’s Discography – Those Were the Days (2005)”

Album Review: Lainey Wilson – Bell Bottom Country

A couple of weeks back Lainey Wilson stormed the Country Music Awards, winning Female Vocalist as well as New Artist of the Year, rewarding a woman who has been working hard to make a name for herself in a crowded and challenging mainstream country music world.

Her new album ‘Bell Bottom Country’ shows that she understands what modern country music needs to be – both familiar and yet forward looking, personal but full of common truths.

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Album Review – Ashley McBryde Presents: Lindeville

Friday was a big day in a small town – Lindeville is now firmly on the country music map. Here you will find memorable characters and hear hilarious stories you will recognise no matter where in the world you’re from. Brought to life by some of the best songwriters in the business this stop may just be a short diversion for most of the featured artists but Lindeville will surely stay in their memory for a long time.

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Album Review: Sunny Sweeney – Married Alone

Can a song fix everything?

Songs are lifeboats for me. Music saves my soul and my sanity every damn day. Hitting the repeat button until a new song is inside your heart and soul is one of the joys of my life. Other people may let music wash over them, a background soundtrack to other more interesting pursuits. But for me, for most of us reading this blog I’m sure, music is the answer to a question we don’t even know how to ask.

Sunny Sweeney understands. On this new album she shows us how music can save your life, bring you comfort when life gets rough, maybe even bring someone back to life even for a moment. Music is the closest feeling we have to that kind of miracle.

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Album Review: Amy Ray – If It All Goes South

At the Americana awards in Nashville this week the Indigo Girls were recognised with the Spirit of Americana/ Free Speech in music award for lifetime achievement as songwriters and activists. Brandi Carlile introduced the award by describing the duo as ‘heroes who are still paving the way…for the people and of the people.’

Amy accepted the award with a speech echoing the sentiment Joan Baez once expressed to her: ‘I’m not going to pass my torch to anyone…I’m going to hang on to it and help others light theirs. We all need to keep that flame of social justice alive.’ It was a powerful statement of continued intent from a duo who have quietly blazed a trail for LGBT musicians for decades.

Amy embraces her Americana roots on this excellent solo album, working with an array of friends and collaborators who understand the power of community. Written during the pandemic, If It All Goes South offers solace and hope for turbulent times.

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Dolly Parton’s Discography: Run Rose Run (2022)

Run Rose Run is a unique album in Dolly’s discography, being released simultaneously with a novel tie in of the same name, co-written with James Patterson. Essentially this is a novel (and soon to be a movie) soundtrack. Dolly has been working hard expanding the Dollyverse and promoting these two projects with multiple events online and even in person at South by Southwest.

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Album Review: Hailey Whitters – Raised

Spring is finally here and with it the release of one of the sunniest albums of the year, ‘Raised’ by Hailey Whitters. Fresh from wowing the crowds at C2C festival, Hailey is ready to bring back sweetness, light and humour to the country music genre. Raised is an ode to her country upbringing in Iowa, a reflection of where’s she from and a celebration of who she is at heart.

The kind of twee, cute and fun country music has been sorely lacking for the last few years. Kacey has gone over to the dark side of pop, the Chicks have got divorced and are wearing a lot of army gear and leather, even Little Big Town are singing sad songs about god and sexism. Step in a girl with ribbons, cute dresses and cowboy boots to brighten things up for a change.

Everything She Ain’t and Big Family are the kind of brilliantly catchy songs that sound effortless but feel like rare miracles. Theres also a great duet on here with American Aquarium’s BJ Barham called ‘Middle of America’ which is a slice of heartwarming heartland 90s country.

From lush and thoughtful songs like the title track Raised, which focus on who she is and where she came from, to more sassy takes on identity on Plain Jane we have an artist willing to be commercial while also experimenting a little with different styles. The Neon has a more obvious contemporary, radio friendly sound similar to what Maren Morris has perfected lately, albeit with added fiddle to keep things country.

Dolly is another obvious influence here, especially with lyrics about the contrast between your country upbringing and the big wide world. College Town explores the identity struggle of moving away to University and Pretty Boy offers kindness and compassion to those who don’t fit in.

Another highlight on here is Everybody Oughta which is a spin on the list song. Like many of the songs on here it is reminiscent of early Kacey in tone and there’s also a couple of songs about smoking weed and drinking beer to add to the High Times style fun. Hailey owes her a debt musically for sure but there’s none of Kacey’s cynical, eye rolling personality in the lyrics which keeps these songs fresh.

In fact Boys Back Home and In a Field Somewhere are so glossy and rose-tinted they sound like a fantastical dream. Well times have been so bad lately you can’t help wanting to look back at simpler, happier days. Sentimental hearts need sustenance too.

Raised may be too cheerful and commercial for some. Maybe it does lack a bit of bite and originality but honestly when the songs are this enjoyable I find it hard to see that as a negative. A ray of light is still a welcome sight even if you’ve seen it before many times. Shine on, Hailey.

Live Review: Miranda Lambert & Country to Country Festival, Glasgow Hydro 13/03/22

After three long and turbulent years C2C festival finally made its welcome return to Glasgow this past weekend. Two years ago it suffered from being the first of the major covid cancellations. Last year’s festival was also postponed, since the date hit right during the second wave. Many fans still had tickets from two years ago – for a completely different line up. The fact that this 2022 festival went on without a hitch is a miracle. Credit to all involved for bringing us Scottish fans a much needed booster dose of country music. Continue reading “Live Review: Miranda Lambert & Country to Country Festival, Glasgow Hydro 13/03/22”

Album Review: Pistol Annies – Hell of a Holiday

For me the best Christmas music contains truths about the emotional complexity of the season: from the drunken conflict of Fairytale of New York to the aching sadness of River by Joni Mitchell. Too many recent Christmas albums seem content with cliched offerings or weak cover versions of classics designed to capitalise on the streaming algorithm, rather than having anything meaningful to say about the season.

Luckily for us then our resident reality check heroines Pistol Annies are here to offer us something fresh with their brilliant new Christmas album Hell of a Holiday. We last found Miranda Lambert, Angaleena Presley and Ashley Monroe on the Interstate Gospel, searching for comfort in Jesus and dealing with heartbreak, inertia and family trouble. Christmas then, being the time of year where women and relationships are stretched to the limit, is a natural fit for their songwriting skills. Continue reading “Album Review: Pistol Annies – Hell of a Holiday”

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