Next week sees the release of a Lifetime movie based on the friendship between two country music legends, Pasty Cline and Loretta Lynn. Before it hits our screens I thought I’d take a look back to Loretta’s biography ‘Coal Miner’s Daughter’ and find out more about the connection between these two legendary artists. Continue reading “What Patsy Cline Taught Loretta Lynn About Friendship”
Only here for a moment, then we’re gone, Kelsey Waldon sings on the title track of White Noise/White Lines. She’s seizing the day sure enough, and the results are a record that twangs and rattles with energy and life. Continue reading “Album Review: Kelsey Waldon – White Noise / White Lines”
For those music fans in the know, Dori Freeman has been a quietly shining star on the scene for some time now. Her previous two albums were gorgeous Americana and folk music inspired by her Appalachian roots, produced by Teddy Thompson. On her third album Every Single Star she continues the run of excellent form, writing every song solo and working again with producer Thompson. Continue reading “Album Review: Dori Freeman – Every Single Star”
In a recent interview singer songwriter Michaela Anne spoke of a time when she lived in New York and was afraid to admit she liked country music because it was seen as lowbrow and ‘trash’. Now she happily admits to loving Shania, the Dixie Chicks as well as Lucinda Williams and Emmylou. Learning to love who you really are is one idea explored on her excellent new album Desert Dove. Produced by Sam Outlaw and Kelly Winrich, the album’s natural, effortless style suggests Michaela Anne is an artist who is now comfortable embracing her own personal, and musical, identity. Continue reading “Album Review: Michaela Anne – Desert Dove”
Despite never working a 9 To 5 job in her entire life, Dolly Parton understood the plight of working women and channeled that despair, hope and frustration into an anthem that still resonates today, long after the film of the same name has faded in the cultural consciousness. Her previous album, Dolly, Dolly, Dolly had been entirely written by others, so it was ironic (although not a surprise to anyone who understands her songwriting talent) that she would find the crossover hit she was looking for in her own pen after all. Continue reading “Dolly Parton’s Discography: 9 to 5 and Odd Jobs”
Flash forward to next year and imagine that the Highwomen have just won the CMA for album of the year to add to their Grammy, they have been played every hour on the hour on country radio and topped the charts with their first five singles, headlined a huge arena tour and been invited to join the Opry. Yes, Mama went and damn well changed the Nashville sound.
Doesn’t that sound like the most wonderful dream? Yet even me, the biggest Stan in all of Stanville, knows that this is unlikely, nay impossible. But why can’t it be reality, you may ask? After all Brandi Carlile, Amanda Shires, Maren Morris and Natalie Hemby are four of the most talented women in all genres of music. Together they have produced an album full of quality songwriting, gorgeous country music and enough personality to dazzle even the most dark-hearted of cynics. Continue reading “Album Review: The Highwomen”
Before she went into the studio to record her first album of originals in seventeen years Tanya Tucker had cold feet. She didn’t think the songs were good enough and she’d never even heard of Brandi Carlile. If it wasn’t for Shooter Jennings convincing her to stick with it, then this album might never have happened. Even then she doubted herself through the recording process and kept threatening to quit.
Brandi and the twins had written songs for Tanya and wanted to make an album to show ‘the grit, the growl, the cracks and imperfections’ that made Tanya Tucker the singer she is. Tanya was used to singing big commercial country hits and her music had even been glossy, at times. This new rootsier direction felt like a risk. But even she would admit that her last album had been a clunker, and so eventually she realised she had nothing to lose. Once Brandi told her “This is Tanya Tucker, the singer, not Tanya, the entertainer”, I finally got it,” she says.
And thank god she did. Because to say this is a gift from the country music heavens barely does it justice. While I’m Livin’ is a masterpiece and one of the best records of the year. Continue reading “Album Review: Tanya Tucker – While I’m Livin’”
Last Friday we finally heard the first new music from the country music dream team The Highwomen. This project has been much talked about, with endless teases in interviews and hype on social media to the point where I began to worry the weight of expectations was going to crush the whole thing before it even began. I’m pleased to report that so far, so damn good. Continue reading “The Highwomen Are Finally Here! Thoughts On ‘Redesigning Women’”
Today is the blessed day that have we woken up to not one but two brand new solo songs from Miranda Lambert. They are her first in three years – not that she’s been quiet that whole time – we’ve been treated to tours, the Pistol Annies incredible album and her personal life has been as eventual as ever, with her marrying again earlier this year. Continue reading “Put These Suckers on Spin: Miranda Lambert Releases New Songs ‘It All Comes Out in the Wash’ & ‘Locomotive’”