Dolly Parton’s Discography – Here You Come Again (1977)

In the middle of the eternal debate about what defines the country music genre it’s interesting to consider some of these late seventies Dolly Parton albums. She aimed for the pop market but hoped to keep her country fanbase happy too. By 1977 Dolly was on her twentieth solo album in ten years. She’d written every style of country song you could think of. Pop music was limitless in a way that country music could never be – sonically and commercially. Dolly wanted the same success as Elvis or Elton John – not just an occasional cross over from the country charts. Jolene proved she could take country with her over to the mainstream and on Here You Come Again she again attempted to find a place in both worlds. Continue reading “Dolly Parton’s Discography – Here You Come Again (1977)”

Album Review: Maren Morris – Girl

If being ‘country’ is about where you’re from and how you sing then Maren Morris has a Texan twang which should be perfect the genre. Her debut single My Church promised much – here was a singer who could sell authentic sounding country pop in a radio-friendly way. When her debut album was released it divided critics, some of whom were disappointed by the more pop leanings of the rest of her music. Those who were less concerned with genre heard a confident young singer with a talent for catchy hooks, who has since managed to find herself a place on country radio despite the odds against women succeeding in that notoriously male-dominated format.

Her second album Girl comes after recent Grammy nominations in both the country and pop categories. The traditionalists will find little to get behind here, but those predicting a full jump to EDM after her crossover guest spot on Zedd’s ‘The Middle’ are wrong. Morris forges her own path with an appealing blend of country, pop and r’n’b. Continue reading “Album Review: Maren Morris – Girl”

Album Review: Yola – Walk Through Fire

Dolly, Aretha, Loretta, Dionne, Tammy, Dusty – the biggest stars in country and soul music are all recognisable by their distinctive first names. The musical spirit of these artists has been channeled into this new album ‘Walk Through Fire’ by rising star Yola, whose similarly unique first name is already familiar to Americana fans in the U.K. With her appealing blend of musical styles and charismatic voice Yola is surely poised to capture the hearts of listeners everywhere in 2019. Continue reading “Album Review: Yola – Walk Through Fire”

Dolly Parton’s Discography – ‘New Harvest…First Gathering’ Review

The title and the relaxed styling of Dolly’s hair and clothes on the cover of this album tells us immediately that something is different. Dolly may have written her goodbye song in 1974 but it wasn’t until this 1977 album New Harvest…First Gathering that she was finally free from Porter Wagoner’s involvement in her music and career. She produced the album herself and embraced the opportunity to push herself in a brand new musical direction. This album then also became her escape from the confines of country music itself. Dolly’s ambitions were to find a way into the mainstream, into the movies, into the ears of all music listeners. There was simply no way Porter, or country music itself, could contain her. And hey, when a horse wants to run there ain’t no point in closing the gates. Continue reading “Dolly Parton’s Discography – ‘New Harvest…First Gathering’ Review”

Dolly Parton’s Discography – All I Can Do

The late seventies was a transition time in Dolly Parton’s career. She had distanced herself from Porter Wagoner and this 1976 album ‘All I Can Do’ is the last album he was involved in, co-producing with Dolly. Following quickly on from the disappointing ‘Dolly’ album, All I Can Do is both a return to the classic country which made her name and a subtle continuation of her evolution towards the mainstream. Continue reading “Dolly Parton’s Discography – All I Can Do”

Live Review: Ashley Monroe @ Celtic Connections

A restored church on a Sunday was a fitting place for country music fans to congregate and worship a woman who is blessed with one of the best voices in the genre. Ashley Monroe returned to these shores for the first time since Country to Country in 2016 and the Scottish crowd were so eager to hear her play again that she sold out both the first venue she was booked to play and this upgrade of St Luke’s as well. Continue reading “Live Review: Ashley Monroe @ Celtic Connections”

Dolly Parton’s Discography – Dolly: The Seeker – We Used To

Dolly’s second solo release of 1975 was an album made up entirely of self-penned love songs. Porter Wagoner had long been working as an uncredited producer on Dolly’s solo albums but this was the first one which boldly declared itself ‘produced and arranged by Porter Wagoner’. The album was given the original title of simply ‘Dolly’ but it has since become more commonly known with the added subtitle of ‘The Seeker – We Used To’, to differentiate it from other self-titled collections of hits. The subtitle refers to the two singles from the album, the most successful of which was The Seeker, which charted at number two and ended her run of four consecutive number one singles. Continue reading “Dolly Parton’s Discography – Dolly: The Seeker – We Used To”

Album Review: Dolly Parton – Dumplin’ (Original Soundtrack)

The new Netflix movie ‘Dumplin’ begins with the heroine Willowdean Dickson in her car, singing along to Dolly Parton’s debut single ‘Dumb Blonde’, a song about subverting the expectations of those who judge you unfairly on appearances. The film, based on Julie Murphy’s wonderful novel, concerns a plus size teen who decides to enter a beauty contest as a protest and finds out she really is pageant material after all. Continue reading “Album Review: Dolly Parton – Dumplin’ (Original Soundtrack)”

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