Dolly Parton’s Discography: Heartbreak Express (1982)

1981 was a significant year for Dolly – it was the first gap in her album release schedule since her debut in 1967. During some of those years she had released up to three albums a year, and such insane productivity had led her to country music superstardom, moderate pop success, opportunities in Hollywood but ultimately brought her to her knees. It is during this time in the early eighties she endured a crisis, with serious personal and health concerns that led her to contemplate suicide. Furthermore the difficulties of filming her movie ‘The Best Little Whorehouse in Texas’ would prove that becoming a Hollywood star was not the stuff her dreams had been made of. Continue reading “Dolly Parton’s Discography: Heartbreak Express (1982)”

Album Review: Miranda Lambert – Wildcard

Miranda Lambert’s last album The Weight of These Wings and the Pistol Annies’ Interstate Gospel are not just two of my favourite records of the last few years but indeed of all time. The former is one of the reasons I started writing this blog, and the latter has been a constant friend to me ever since its release. So to say I have been waiting in anticipation for Miranda’s new record is somewhat of an understatement.

On the other hand my intense connection with those two records has also made me nervous. After all how could anyone, even a country music genius like Miranda Lambert, possibly follow up the emotional depth and lyrical scope of those two albums?  Continue reading “Album Review: Miranda Lambert – Wildcard”

Album Review: Karen & the Sorrows – Guaranteed Broken Heart

When I first started the blog back in 2017 one of my favourite new artist discoveries was New York based Karen and the Sorrows, a band front by Karen Pittleman who were expanding the horizons of alternative country music. Finding a place in the genre has always been challenging for minority groups so it was a breath of fresh air to hear a band that were proudly queer and committed to creating safe space for LGBT fans who didn’t connect with its conservative, traditional roots. Continue reading “Album Review: Karen & the Sorrows – Guaranteed Broken Heart”

Album Review: Dori Freeman – Every Single Star

For those music fans in the know, Dori Freeman has been a quietly shining star on the scene for some time now. Her previous two albums were gorgeous Americana and folk music inspired by her Appalachian roots, produced by Teddy Thompson. On her third album Every Single Star she continues the run of excellent form, writing every song solo and working again with producer Thompson. Continue reading “Album Review: Dori Freeman – Every Single Star”

Album Review: Michaela Anne – Desert Dove

In a recent interview singer songwriter Michaela Anne spoke of a time when she lived in New York and was afraid to admit she liked country music because it was seen as lowbrow and ‘trash’. Now she happily admits to loving Shania, the Dixie Chicks as well as Lucinda Williams and Emmylou. Learning to love who you really are is one idea explored on her excellent new album Desert Dove. Produced by Sam Outlaw and Kelly Winrich, the album’s natural, effortless style suggests Michaela Anne is an artist who is now comfortable embracing her own personal, and musical, identity. Continue reading “Album Review: Michaela Anne – Desert Dove”

Dolly Parton’s Discography: 9 to 5 and Odd Jobs

Despite never working a 9 To 5 job in her entire life, Dolly Parton understood the plight of working women and channeled that despair, hope and frustration into an anthem that still resonates today, long after the film of the same name has faded in the cultural consciousness. Her previous album, Dolly, Dolly, Dolly had been entirely written by others, so it was ironic (although not a surprise to anyone who understands her songwriting talent) that she would find the crossover hit she was looking for in her own pen after all. Continue reading “Dolly Parton’s Discography: 9 to 5 and Odd Jobs”

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