In a recent conversation with Waxahatchee’s Katie Crutchfield, Jess Williamson discussed how she was inspired by Kacey Musgraves’s ‘Golden Hour’ to fully embrace all her musical influences – from indie, to country, to pop, psychedelia and beyond. The musical results she conjures up on this new album Sorceress are shimmering and glorious. Continue reading “Album Review: Jess Williamson – Sorceress”
Album Review: Anna Burch – If You’re Dreaming
Anna Burch’s last album Quit the Curse was full of smart, understated indie pop that quietly sparkled. After a busy schedule of touring she returns with a new album If You’re Dreaming, which was recorded with producer Sam Evian at his studio in the Catskills. Musically the songs on the album are slow and gentle, suggesting a songwriter learning how to go at her own pace. Continue reading “Album Review: Anna Burch – If You’re Dreaming”
Album Review: Laura Marling – Song For Our Daughter
Why should I die so you can live? Laura Marling sings on the opening track of her new album Song For Our Daughter. Alexandra was partly inspired by a Leonard Cohen song and also how over history women were often only valued in what they could offer men – as muses or as mothers. Marling sings these songs for her own imagined daughter, dreaming of a future where women can live and love in a world free from such bullshit. Continue reading “Album Review: Laura Marling – Song For Our Daughter”
Album Review: Lilly Hiatt – Walking Proof
It’s fitting that when you buy a vinyl copy of this new Lilly Hiatt record Walking Proof you get a colouring in page with it, since her songs are about finding the confidence to be yourself and make your own individual mark on the world – even if that means shading outside the lines a little. Continue reading “Album Review: Lilly Hiatt – Walking Proof”
Album Review: Waxahatchee – Saint Cloud
The final song on Waxahatchee’s last album gave us some clues as to the next direction her music might take. Fade was an introspective, acoustic track that felt like a quiet sonic reset after the blistering indie rock on the rest of Out in the Storm, while lyrically it explored her internal struggle to assert her identity in a toxic relationship. On Saint Cloud we thankfully find her in a much better place – being newly sober and in love. Musically too she embraces a breezier Americana sound, evoking early Lucinda Williams, her songwriting hero. Continue reading “Album Review: Waxahatchee – Saint Cloud”
Album Review: Best Coast – Always Tomorrow
Ten years since releasing debut album Crazy For You and life has changed for Bethany Cosentino, as well as her fans. We’ve all seen the world spin a few more times — for better and worse. Maturity, self-acceptance, sobriety and coping with the often confusing reality of being an actual adult are the themes of this excellent new album Always Tomorrow. Continue reading “Album Review: Best Coast – Always Tomorrow”
Album Review: Isobel Campbell – There is No Other
Isobel Campbell’s new album There is No Other is a hushed moment of calm serenity that seeks to make sense of the noise and confusion of the world we live in. The album has been stuck in record label hell for a while, so it’s good to finally have a chance to hear new music from one of Scottish music’s best talents. Continue reading “Album Review: Isobel Campbell – There is No Other”
Album Review: The Lone Bellow – Half Moon Light
A couple of weeks ago I was lucky enough to catch The Lone Bellow play as part of Celtic Connections Festival and needless to say I was completely blown away. The songs they played from their new album were some of the most deeply felt of the evening, celebrating the wonder of our complex humanity. So while I do think a band like this really have to be heard in real life to truly appreciate the power of their vocals, Half Moon Light tries for a softer approach with impressive musical results. Continue reading “Album Review: The Lone Bellow – Half Moon Light”
Album Review: Bonny Light Horseman
Songs and stories are passed down through history for multifarious reasons: to entertain us, to heal us, to warn us, to teach us how to live. Anais Mitchell’s musical Hadestown combined Greek myths and folk music in a way that showed how the past could speak directly to the modern world. Her new project Bonny Light Horseman offers traditional songs in a fresh but familiar way, wrapping the listener in a comfort blanket of melodic beauty. Continue reading “Album Review: Bonny Light Horseman”